The Mexican cinematographer used fog and fire and shot mostly on film to capture religious wars in feudal Japan in "Silence." "Ugetsu," by Director Kenji Mizoguchi is one of the most beautiful and hauntingly character driven films in the history of not only Japanese cinema, but cinema anywhere. This film has always been one of my favorites of this unique Japanese director, and it is good to see that his films are becoming more accessible here in the west. These sources share with Mizoguchi’s … Andrew Chapman film, Film Review, films, library, Regent, Regent University. Asian Cinematography. Kazuo Miyagawa (1.33:1; 1080i up-scaled; 00:10:32) – One of cinematography’s finest talents, Kazuo Miyagawa shot a number of Japan’s most celebrated films, including Akira Kurosawa’s Rashomon (1950); Kenji Mizoguchi’s Ugetsu (1953), Sansho the Bailiff (1954), and Street of Shame (1956); and Yasujiro Ozu’s Floating Weeds (1959). At 16, I was hardly a child when I saw Peter Watkins’ The War Game (1965) at a local Torquay film-society screening. It neither has the ferocious, exiting energy that Kurosawa successfully utilized, nor the slow mundane nature that Ozu became known for. High Definition Blu-ray (1080p) presentation from a new 4K scan Asian cinematography as a definition refers to the cinematography of eastern, south-eastern and southern Asia (Far East cinema) and also western Asia (Near East cinema). Music by: Fumio Hayasaka, Tamekichi Mochizuki & Ichirô Saitô “Ugetsu” is a black-and-white classic of Japanese cinema for its beautiful cinematography and clever writing. The acting by the stellar cast is also natural while ethereal whenever the supernatural comes into play. The bewitching cinematography by Kazuo Miyagawa (Rashomon, Ugetsu) captures the sensual atmosphere of the period setting, while the script by Kaneto Shindo (Onibaba, Kuroneko) lends a modern twist to this feverish meditation on … And Ugetsu, a ghost story like no other, is surely the Japanese director’s supreme achievement. Ugetsu Monogatari (1953 Japan 96 mins). It's a different story with Ugetsu monogatari, whose increased sharpness and detail is immediately apparent and particularly visible in wide shots, textures and the detail of clothing.A good example is straw hat worn by Lady Wakasa when she buys pottery from Genjuro in the marketplace – the fine detail is lost in a resolution blur on the DVD but clearly defined on the … Japan. 18. Movies like Ugetsu Monogatari 1953 Movie. Ugetsu Blu-ray Criterion 1953 / B&W / 1:33 / Street Date June 6, 2017 Starring: Mitsuko Mito, Masayuki Mori, Kikue Mouri, Sakae Ozawa, Kinuyo Tanaka Cinematography: Kazuo Miyagawa Film Editor: Mitsuzô Miyata Written by Matsutarô Kawaguchi, Yoshikata Yoda Produced by Masaichi Nagata Music: Fumio Hayasaka, Tamekichi Mochizuki, Ichirô Saitô … Interviews with Tokuzo Tanaka (first assistant director on Ugetsu) and cinematographer Kazuo Miyagawa focus more specifically on anecdotal production history Mizoguchi's working methods, including the director's legendary perfectionism regarding painstaking details of props, costumes, and production design. Ugetsu is a film that separates itself from both period pieces of its time and from Japanese film of any era. It neither has the ferocious, exiting energy that Kurosawa successfully utilized, nor the slow mundane nature that Ozu became known for. Emmanuel Lubeszki (1964 –) In this decade, the mexican Emmanuel Lubeszki won two consecutive oscar for Best Cinematography (Gravity in 2014; and Birdman (Or The Virtue of Ignorance) in 2015). Technically and visually, Ugetsu is a marvel. Despite the theme and the sense of tragic inevitability to the whole proceedings (its alternate title is The Crucified Lovers), it is less violent and is easier to watch than Ugetsu or Sansho the Bailiff. In Japanese; English subtitles. It runs 10 minutes. Screenplay by Matsutaro Kawaguchi, Yoshikata Yoda. Like Kenji Mizoguchi's other late works, it is beautiful, ethereal, profound, and deeply painful. K nown to American audiences simply as Ugetsu, this was the film which introduced Mizoguchi to the West. Editor: Kanji Sugawara. See details. 94 min. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Punctuated by memorable characters and stylish cinematography, Ugetsu is the kind of film that's more captivating than enjoyable but will nonetheless linger in your memory long after its conclusion is reached. A man, dirtied and shirtless, wanders across a burnt landscape. Commencing in the 1930s, he worked with some of his country's foremost directors and his credits include some of the all time greatest Japanese films. What makes "Ugetsu" a deathless classic, though, is the singular beauty of Mizoguchi's style, aided by Japan's supreme cinematographer, Kazuo Miyagawa ("Seven Samurai"). It is a departure from Mizoguchi's earlier work, being more expansive and complete, beyond just the humiliation and pain of women. Nanook of the North is a 1922 American silent film which combines elements of documentary and docudrama, at a time when the concept of separating films into documentary and drama did not yet exist. Regent Film Library Spotlight: “Ugetsu”. A keening soundtrack accompanies the mists and fog surrounding the boat on which the terrified peasants are huddled. Kazuo Miyagawa was, quite simply, Japan's preeminent cinematographer. Two Worlds Intertwined, a 2005 appreciation of Ugetsu by Masahiro Shinoda Process and Production, a 2005 interview with Tokuzo Tanaka, first assistant director on Ugetsu Interview from 1992 with cinematographer Kazuo Miyagawa Having refined his craft in the silent era, Kenji Mizoguchi was an elder statesman of Japanese cinema—fiercely revered by Akira Kurosawa and other younger directors—by the time he made Ugetsu. Ugetsu draws on folklore and classic Japanese literature to produce quintessential jidaigeki cinema. Roger Deakins is an English cinematographer best known for his work on the films of the Coen brothers, Sam Mendes, and Denis Villeneuve. In Japanese; English subtitles. Ugetsu Monogatari. 94 min. With its thought-provoking themes, rich atmosphere, and brilliant direction, Kenji Mizoguchi's Ugetsu monogatari is a towering classic of world cinema. In particular in Ugetsu, there is a feeling of the characters almost being captive victims of their environments. Best Cinematographers of All Time. Shop affordable wall art to hang in dorms, bedrooms, offices, or anywhere blank walls aren't welcome. Cinematography by Kazuo Miyagawa. Having refined his craft in the silent era, Kenji Mizoguchi was an elder statesman of Japanese cinema—fiercely revered by Akira Kurosawa and other younger directors—by the time he made Ugetsu. Though it is not altogether a horror movie, there are many elements of this drama that are horrifying, including ghost women, haunted waters and psychological torment. UGETSU (Ugetsu monogatari) (Tales of the Pale and Silvery Moon After the Rain) (director: Kenji Mizoguchi; screenwriters: Matsutano Kawaguchi/Yoshikata Toda/based on Short Stories by Akinari Ueda; cinematographer: Kazuo Miyagawa; editor: Mitsuzô Miyata; music: Ichiro Saito; cast: Masayuki Mori (Genjuro), Saka Ozawa (Tobei), Machiko Kyo (Lady … The bewitching cinematography by Kazuo Miyagawa (Rashomon, Ugetsu) captures the sensual atmosphere of the period setting, while the script by Kaneto Shindo (Onibaba, Kuroneko) lends a modern twist to this feverish meditation on obsession and the act of creation. He later remarked that Ugetsu was the only film for which his work was praised by the master. Add to list. Ugetsu is based on two ghost stories from Ueda Akinari’s collection Ugetsu Monogatari, which translates to Tales of Moonlight and Rain, and pivots on morals handed down from Japanese and Chinese cultures.Another significant influence on the film is the writing of Guy de Maupassant, which is evident in Tōbei’s narrative. 13 Save. Presented in a glorious 4K digital restoration, Ugetsu is Mizoguchi’s towering achievement, a haunting and decorous fable about the illusory nature of desire set … “Ugetsu” is a black-and-white classic of Japanese cinema for its beautiful cinematography and clever writing. Based on a novel by Yoshiko Shibaki. Interviews with Tokuzo Tanaka (first assistant director on Ugetsu) and cinematographer Kazuo Miyagawa focus more specifically on anecdotal production history Mizoguchi's working methods, including the director's legendary perfectionism regarding painstaking details of props, costumes, and production design. A man, dirtied and shirtless, wanders across a burnt landscape. Edited by: Mitsuzô Miyata Produced by: Masaichi Nagata. UGETSU UGETSU MONOGATARI Japan, 1953, Kenji Mizoguchi Mizoguchi’s most celebrated film is an atmospheric samurai drama and ghost story in which two peasants living in war-torn 16th-century Japan leave their homes hoping to profit from the conflict. Studio Location: Daiei Kyoto Studios et Ukyoeku, Kyoto. " With Machiko Kyō and Kinuyo Tanaka; cinematography by Kazuo Miyagawa. Mizoguchi's screenwriter and long-time collaborator Yoshikata Yoda said that originally, Mizoguchi did not envision making an anti-war film, instead wishing to c… Directed by Kenji Mizoguchi. Is Ugetsu a horror movie? Screenwriter: Masashige Narusawa. Kazuo Miyagawa (宮川 一夫 Miyagawa Kazuo, February 25, 1908 – August 7, 1999) was an acclaimed Japanese cinematographer. The second disk contains the 1975 documentary film “Kenji Mizoguchi: The Life and Death of a Film Director.” There is also a 1992 interview with Kazuo Miyagawa (cinematographer for “Yojimbo,” “Rashomon”). Two Worlds Intertwined, a 2005 appreciation of Ugetsu by Masahiro Shinoda Process and Production, a 2005 interview with Tokuzo Tanaka, ?rst assistant director on Ugetsu Interview from 1992 with cinematographer Kazuo Miyagawa Trailers An essay by film critic Phillip Lopate and three short stories that influenced Mizoguchi in making the film January 31, 2021. 2012 Poll Rank: #50 (tied with City Lights and Ugetsu monogatari) Several times over the course of this series, "pure cinematography" has come up several times, most notably in the very first edition. Bill Desowitz Dec 19, 2016 3:09 pm Two women fainted in the theater, and the film had such a powerful effect on audiences elsewhere that it was subsequently banned for 25 years. Special Features: High Definition Blu-ray (1080p) presentation from a new 4K scan 35mm, b/w, in Japanese with English subtitles, 87 min. The bewitching cinematography by Kazuo Miyagawa (Rashomon, Ugetsu) captures the sensual atmosphere of the period setting, while the script by Kaneto Shindo (Onibaba, Kuroneko) lends a modern twist to this feverish meditation on obsession and the act of creation. Ugetsu Review My impression of Ugetsu Monogatari was an overall positive one. Directed by Kenji Mizoguchi • 1953 • Japan Starring Machiko Kyo, Masayuki Mori, Kinuyo Tanaka By the time he made UGETSU, Kenji Mizoguchi was already an elder statesman of Japanese cinema, fiercely revered by Akira Kurosawa and other directors of a younger generation. The Mexican cinematographer used fog and fire and shot mostly on film to capture religious wars in feudal Japan in "Silence." Ugetsu is a shattering experience, among the greatest movies ever made. Ugetsu (Japan, 1953) Ugetsu Monogotari. Mizoguchi stepped into the international limelight with his 78th film, which won the Silver Lion at the 1953 Venice Film Festival, along with the Italian Critics Award. And as often for Mizoguchi, nothing is a coincidence and nothing is put randomly into the frame. Masayuki Mori and Machiko Kyo, who played the murdered samurai and his wife in Rashomon, also essayed important roles in Ugetsu, the cinematographer and the music composer for both the films were the same, and the plots for both the films were created by combining two short stories. “Ugetsu” … Screenplay by Matsutaro Kawaguchi, Yoshikata Yoda. Cinematographer Kazuo Miyagawa recalled that Mizoguchi told him that the beginning of the film should unfold like an emakimono, a medieval Japanese scroll Cinematographer Kazuo Miyagawa worked with Mizoguchi six times, including his last film, Street of Shame (1956). Japanese romantic fantasy drama directed by Kenji Mizoguchi and based on stories in Ueda Akinari's 1776 book of the same name. This haunting movie subtly conveys the illusory nature of ambition and desire. After the success of his previous film The Life of Oharu (1952), Mizoguchi was offered to make a film by his old friend Masaichi Nagata at Daiei Film studios. It is a departure from Mizoguchi's earlier work, being more expansive and complete, beyond just the humiliation and pain of women. Two Worlds Intertwined, a 2005 appreciation of Ugetsu by filmmaker Masahiro Shinoda Process and Production, a 2005 interview with Tokuzo Tanaka, first assistant director on Ugetsu Interview from 1992 with cinematographer Kazuo Miyagawa Unique Ugetsu Posters designed and sold by artists. The bewitching cinematography by Kazuo Miyagawa (Rashomon, Ugetsu) captures the sensual atmosphere of the period setting, while the script by Kaneto Shindo (Onibaba, Kuroneko) lends a modern twist to this feverish meditation on obsession and the act of creation. Film series. Ugetsu (Criterion Collection) - 1953 - BLU-RAY. Machiko Kyo, Masayuki Mori, Kinuyo Tanaka, Sakae Ozawa, Cinematographer: Kazuo Miyagawa. Asian cinematography as a definition refers to the cinematography of eastern, south-eastern and southern Asia (Far East cinema) and also western Asia (Near East cinema). This is achieved by the extensive use of elevated camera angles looking down on the events depicted. While the story certainly is engaging and notable in its complex moral paradoxes combined with an alluring erotized version of traditional Japan, the direction and cinematography of “Ugetsu” simply outclasses most of its cinematic peers. Weep. There was a lot of things done right such as the cinematography, set design, and acting; however, there was a definite issue with a certain plot element of the film and support character acting. “Ugetsu” is a tragic ghost story directed by Kenji Mizoguchi. There was a lot of things done right such as the cinematography, set design, and acting; however, there was a definite issue with a certain plot element of the film and support character acting. Sort by: Relevant Most Popular. 1. Ugetsu (Criterion Collection) on Blu-ray. Ugetsu (Criterion Collection) - 1953 - BLU-RAY. This haunting movie subtly conveys the illusory nature of ambition and desire. “Quite simply one of the greatest of filmmakers,” said Jean-Luc Godard of Kenji Mizoguchi. Originally, Mizoguchi wanted to expand the storyline of Tobei, but his studio refused. Commencing in the 1930s, he worked with some of his country's foremost directors and his credits include some of the all time greatest Japanese films. The one with director Masahiro Shinoda covers the film’s impact on Japanese film while the other two, featuring the first assistant director and cinematographer for “Ugetsu,” add more information about the making of the movie. 18. 3.9 / 5. “Simultaneously realistic, allegorical and supernatural, Ugetsu is the most stylistically perfect of all Mizoguchi’s work, and many critics consider it the greatest Japanese film ever made.” –David L. Cook. Special Features. Asian Cinematography. Ugetsu is a film that separates itself from both period pieces of its time and from Japanese film of any era. Ugetsu concerns the story of two couples during the start of civil war in Japan during the sixteenth century. Based on two short stories from "Ugetsu Monogatori," by Akinari Ueda, the tale centers on two peasant potters, who try to make a living while dreaming of a better future. Ugetsu Review My impression of Ugetsu Monogatari was an overall positive one. Kazuo Miyagawa Cinematography . Movies like. In this, and so many of the director’s films from this era, the contributions of cinematographer Kazuo Miyagawa really cannot be underestimated. In war-torn 16th-century Japan, two … Derived from stories by Akinari Ueda and Guy de Maupassant, this haunting tale of love and loss—with its exquisite blending of the otherworldly and the real—is one of the most … Kazuo Miyagawa was, quite simply, Japan's preeminent cinematographer. Kazuo Miyagawa, the cinematographer on Ugetsu and seven other Mizoguchi films, recalled the director’s words: ‘Miyagawa, I’d like to make a film like a handscroll (emakimono). Ugetsu. Indeed cinematographer Kazuo Miyagawa remarked that 70% of the shots in the film were performed using a crane [1]. Ugetsu draws on folklore and classic Japanese literature to produce quintessential jidaigeki cinema. Last is a 1992 archival interview with cinematographer Kazuo Miyagawa that originally appeared on Criterion's laserdisc of Ugetsu. From the opening shot, the camera is constantly moving. 1953. Presented in a glorious 4K digital restoration, Ugetsu is Mizoguchi’s towering achievement, a haunting and decorous fable about the illusory nature of desire set … Cast: Machiko Kyo, Aiko Mimasu, Ayako Wakao, Michiyo Kogure, Kenji Sugarwara. Instead, Ugetsu is really a class unto itself, a simple, fable-like, morality tale at its core, but layered with the psychology of desire.
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